Untitled Document

Evgeniy Klimini's portfolio

(not about Ethnophonic System)






2022. Chelyabinsk Contemporary Dance Theater, stage director and author of the concept Yaroslav Frantsev

Assembly line

Love. Wedding

Plumbum as an image of the heavy, "closed" consciousness of a person and his soul, which has forgotten about its higher "I", about the connection with the divine part of itself. She is tired and needs to be reborn. Metal as a symbol of ignorance, aggression, obscuring the important and subtle that is in each of us. The music for the performance is an experience of the composer's interaction with the universe of sounding metal, an attempt to understand its laws.


Dobrodružství přirozeného námořníka

2022. Theater Festival in Kutna Hora (Czech Republic), solo performance by Janis Povilaitis

A scene from the life of a prosperous family whose characters live in a waffle house and are themselves gingerbread men and women. Warm and touching, but horror creeps in from outside...

Horror tune




Fashion Theater Ethnomodern

2017. Fashion theater show in Russian ethnic style with authntic folklore ensemble






Кинетехно для двух моторов

2022. Many have paid attention to the fact that the engine of a washing machine or a lathe can work on a certain note. A small techno composition based on this effect. Сans used as resonators.



2022. Present audio-kinetic installation – part of the choreographic performance «Plumbum» (Chelyabinsk Contemporary Dance Theater, stage director Yaroslav Frantsev). Made of two crashed cars. The electric motor is programmed so that the melody of a pioneer song from the USSR

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2022. The sound of the rebars is transmitted to the amplifiers by specially designed magnetic pickups. An electro-acoustic instrument is part of the choreographic performance Plumbum by the Chelyabinsk Contemporary Dance Theatre.


Optical Metronome

2021. It was originally made as a universal indicator for electronic music, counting the time signature, showing the stages of loop playback, flashing when recording is on, etc. Its bulbs are visible in the sunniest weather, which is indispensable for open-airs. It is also suitable for creating light and music compositions. The video is one of those.



Aristarkh Izrailev

2018. The installation is a portrait of a Russian acoustics researcher, priest Aristarkh Izrailev, who lived and worked in the second half of the 19th century in Rostov the Great. In Russia, he was the only specialist in the production of tonometers (sonometers) - devices for precise spectral analysis, and abroad he gained fame as a master of tuning fork tuning forks. The basis of his method of acoustic measurements was beats - a pulsation that occurs when two sources of sound differ slightly in frequency. In the installation, the beats between the different spectral components of the two tuning forks are displayed as flickering light spots. Their pattern is different depending on the strength and location of the hammer beats.